Packaging – LAMAX

Packaging

Layout

We design packaging based on a 3×3 grid**, which ensures visual order and uniformity across the range.

We reserve one third of the format for key information – product type, name and icons.

The remaining two thirds are for the Lamax logo, the alpha symbol and the product image. On smaller packaging we can work with overlapping the logo into the other third to keep it dominant and legible.

We prefer frontal product views that fit naturally into the geometric nature of the packaging design.

On the front of the packaging, we use only the Lamax logo itself without the complementary sub-brand name – this promotes clarity and avoids fragmenting visual attention with additional small text.

Colour and composition of packaging

The visual identity of the packaging builds on the unifying role of brand turquoise, which dominates the main areas and creates a strong continuity across the entire Lamax portfolio.

The colours of the individual sub-brands are reflected in particular in the gradient used to represent the Alpha symbol. It is a key and instantly recognisable visual element.

The sides of the packaging bear the full colour of the sub-brand, complemented by its logo and claim in the format "xxx to the max", thus reinforcing the identity and differentiation of each range.

Where possible, the product is positioned centrally on the main surface of the packaging over the Alpha symbol, with the two elements vertically aligned. This composition ensures visual stability, clarity and reinforces the relationship between the brand and the product.

Icons

Based on an existing set (Carbon) from the Streamline library – the icons are easy to understand at a glance and thanks to their geometric base they naturally fit into the visual style of Lamax. They are not distracting and support the technical but modern character of the brand. The "text" icons (AAC, BT5.3,…) are processed in a brand font (narrower bold cut).

Icons

Icons on the packaging are placed in "buttons " – pill-shaped with rounded edges. Each button is framed by a line with a white gradient, which adds visual depth to the element. One side of the button disappears into nothing.

Buttons are stacked in a row – horizontally and vertically, depending on the format of the cover and the number of icons. This flexibility allows you to maintain clarity even with a larger number of functions.

Text labels for icons are always rendered in a condensed font cut, making them work well even in limited space. We work with both single-line and double-line variants, always with an emphasis on legibility and visual balance of the whole.